Sep 162012
 

SAM DOLGOFF, retired house painter, editor and translator of Bakunin on Anarchy, The Cuban Revolution: A Critical Perspective, The Anarchist Collectives: Workers’ Self-management in the Spanish Revolution (1936-1939), was 83 years old when he completed this Memoir. He started out in life, more than half a century earlier, as a working hobo on the railroads and waterfronts, in lumber camps, canneries, and steel mills of the United States. Caught up early in ideas of radical social change, he moved from reformist socialism to anarchism, publishing his first piece, a criticism of Gandhi, in the anarchist journal Road to Freedom. As a member of the IWW he became a strong propagandist for libertarian labor movements—incidentally teaching himself to read six different languages—lecturing across America in union halls, civic centers and colleges. Under the pen name Sam Weiner, he published innumerable articles in labor and anarchist periodicals, many of which he helped to found and edit.

Fragments: a memoir, Sam Dolgoff, ISBN 978-0-946222-04-9. First published (one edition, now long o/p) 1986 by Refract Publications (formerly Cienfuegos Press Ltd), Cambridge. This Kindle eBook published 2012 by ChristieBooks. (€3,21; £2.58; $4.13UK ; US/Canada/India and RoW ; España ; France ; Germany ; Italy

Sep 152010
 

I was surprised when Channel 4 invited me to author and present its flagship documentary on the Pope, which is being broadcast on 13 September, three days before the Pontiff’s State Visit to Britain. My criticisms of Papal policy are well known and controversial. What could I say that was not predictable and already known? Early on, I decided to deviate from what might be expected of me. Instead of a ruthless Christopher Hitchens-style evisceration of Benedict XVI, I opted for a more subtle, thoughtful style – and a degree of open mindedness. I was ready to confound my own preconceptions. And I did, in some respects. I discovered that when he was plain Joseph Ratzinger, the Pope was an inspiring, popular university lecturer. He initially supported the liberalising Second Vatican Council. But he was traumatised by the student protests of the late 1960s. His fear of chaos and revolution turned him into a conservative who believed that authority and tradition must be preserved at all cost. Another surprise, during filming in Germany, was the extent of disaffection with the Pope among lay Catholics. Even in his home region of Bavaria, there is widespread disquiet at his mishandling of the child sex abuse scandal and his readmission to the church of the excommunicated holocaust denier, Bishop Richard Williamson. Rather than interview atheists like Richard Dawkins, which would have played to expectations, I chose to mostly interview Catholics, both allies and critics of the Pope. To some extent, the film reflects the debate within Catholicism, between the liberal and fundamentalist wings of the church. I wanted to give Catholic leaders an opportunity to put their side of the story. When we went to Rome, the production company, Juniper TV, requested an interview with Pope Benedict or a senior Cardinal. The Vatican turned us down. Our bid to interview Archbishop Vincent Nichols in London was also snubbed, with the rebuke: ‘We do not wish to cooperate with a programme presented by Peter Tatchell.’ Although the church did put up a spokesperson at the last minute – Fiona O’Reilly, from the pressure group, Catholic Voices – it strikes me as a sign of weakness that no Catholic leader from the Vatican or Britain was willing to be interviewed in defence of the Pope. I am a well known campaigner for gay human rights but the film focuses mostly on other issues: the Pope’s opposition to contraception, condom use to prevent HIV and embryonic stem cell research; as well his collusion with the sex abuse cover up, his distortions of Cardinal Newman’s theology and his readmission to the church of Bishop Williamson. Contrary to what the critics say, this is not an anti-Catholic film. Indeed, some of the inspirations of my own human rights campaigns have been Catholic humanitarians, including the editor of the Catholic Worker, Dorothy Day; US anti-war activists, Fathers Daniel and Philip Berrigan; Archbishop Oscar Romero of El Salvador and the theorists of liberation theology, Gustavo Gutierrez and Leonardo Boff. — PETER TATCHELL (see FILMS)