Will Wyatt’s fascinating and insightul 1978 documentary of his search for the real identity of the writer B. Traven (1882-1969), now known to be the German anarchist Ret Marut, editor of Der Ziegelbrenner – and Otto Fige, born in Poznan, 1882
BORIS VIAN, singer, songwriter, essayist, playwright and jazz aficionado, was a legendary figure in Paris in the post-war years — ‘the Prince of Saint-Germain ‘ — who left an indelible mark on France’s intellectual and artistic life. His avant-garde music, novels and plays continue to inspire a generation of fans more than 50 years after his death. This (PDF – ISSUU) is the introduction to a new translation of three of his plays — The Empire Builders, The Generals’ Tea Party and The Knacker’s ABC — by his friend, comrade, translator and fellow pataphysician, the late Simon Watson Taylor.
Billy Budd is a young man impressed from a merchant ship in 1797 and made foretopman on the British Navy frigate Avenger during the French revolutionary wars with England. In a conversation with the Captain, Edward Fairfax Vere, the ship’s master-at-arms, Jon Claggart, accuses Budd of mutinous conspiracy. Skeptical of the accusations (given Budd’s easy-going and cheerful bearing), Captain Vere invites Claggart to make the accusations in Budd’s presence. Given the opportunity to rebut the accusations, Budd, who suffers from an inability to speak under duress, is unable to do so. Frustrated and angry, Budd strikes Claggart, killing him. Though believing Budd innocent of mutiny and free of any intent to kill Claggart, Vere quickly convenes a drumhead court to try Budd . .
A powerful and moving film about the battle of good versus evil
Billy Budd by Herman Melville (text)
Biography of Rafael Barrett (Torrelavega, Spain, January 7, 1876 – Arcachon, France, December 17, 1910). a Spanish writer, narrator, essayist and journalist, who developed most of his literary production in Paraguay, becoming an important figure of the Paraguayan literature during the twentieth century. He is particularly known for his stories and essays with profound philosophical content that in some way anticipated existentialism. His philosophical and political statements in support of anarchism are also well known.
Three of the greatest South American writers have expressed their deep admiration for Barrett’s work and his influence on them. In Paraguay, Augusto Roa Bastos, in Argentina, Jorge Luís Borges and in Uruguay, José Enrique Rodó. My Anarchism:Barret defined himself as anarchist from 1908 in his famous pamphlet My Anarchism.: The etymological sense of “absence of government” is enough for me. We have to destroy the spirit of authority and the prestige of the laws. That’s it. That would be the work of the free exam. The fools think that anarchy is disorder and that without government the society will always end in chaos. They don’t conceive other order that the one imposed from the exterior by the terror of the weapons. The anarchism, as I understand it, is reduced to the free political exam. [...] ¿So what we must do? Educate the others and us. Everything is resumed in the free exam. That our children examine our laws and despise them! |
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Adventures in Bukhara are tales told with irreverent wit and earthy wisdom. Tyranny is its villain; liberty its hero. Like Robin Hood, Khoja Nasreddin is the champion of the poor and downtrodden who cannot champion themselves. There is no danger he will not brave, no disaster he cannot avert, no villain he cannot bring to ridicule or destruction.
These zestful tales are set in ancient Bukhara, then a great centre of Islamic power. Nasreddin, masquerading as a beggar, returns taxes to the oppressed, rescues a lovely maiden from the Emir’s harem, and with ingenuity confounds usurers, hypocrites and all tyrants. He outwits his enemies even at his own scheduled execution.
The Nasreddin stories are known throughout the Middle East and have touched cultures around the world. Superficially, most of the Nasreddin stories may be told as jokes or humorous anecdotes. They are told and retold endlessly in the teahouses and caravanserais of Asia and can be heard in homes and on the radio. But it is inherent in a Nasreddin story that it may be understood at many levels. There is the joke, followed by a moral – and usually the little extra which brings the consciousness of the potential mystic a little further on the way to realization.
The anecdotes attributed to him reveal a satirical personality with a biting tongue that he was not afraid to use even against the most tyrannical rulers of his time. He is the symbol of Middle-Eastern satirical comedy and the rebellious feelings of people against the dynasties that once ruled this part of the world.

Review of
The World That Never Was: A True Story of Dreamers, Schemers, Anarchists and Secret Agents
by Alex Butterworth
482pp, Bodley Head, £25.00
(The Guardian, 27/3/2010 — http://www.guardian.co.uk/books/2010/mar/27/world-never-was-alex-butterworth) with an additional note ‘On Infiltration…’
Click here for the PDF



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